Alessandro Boschi

Music has been part of my life for as long as I can remember.

I started playing a small toy piano at the age of three, moved to a professional electric organ at six, and later studied piano, composition and Flamenco at the Conservatory. Over the years, music became not only a passion but a constant part of my life — as a musician, composer, arranger and producer.

At the same time, another passion was developing alongside it: electronics.

I began experimenting with electronics as a child, building my first HF transceiver at twelve and a Z80-based computer at fifteen. This eventually led to professional work in electronic engineering and telecommunications, including more than fourteen years as a chief technician in a specialised laboratory in Milan.

I also spent many years in motorsport, both as a racing driver and as an ECU programmer and engineer for international racing teams.

Music eventually brought the two worlds together.

I have always been interested not only in making music, but in understanding what happens to a signal along the way — how circuits, components, transformers, converters and the smallest details of an audio path can influence what we finally hear.

I listen to the organisation of sound in time and space.

My own music has been released internationally, including several appearances in the Café del Mar catalogue. My track Ojo de Vega was selected for the Café del Mar 25th Anniversary New Artists compilation in 2004, while Tarifa: colores en el viento won the Instrumental/Jazz/World category of the International Song of the Year competition in 2008.

In 2010, I began working professionally with music and audio for other artists and producers, including mastering, while continuing my work in recording, production and engineering.

Alongside this, I developed audio equipment and created hardware sampling libraries for Nebula, combining my experience in electronics with an obsessive approach to listening and measurement. Over the years, this work evolved into a deeper understanding of analogue equipment, signal paths and the relationship between technical accuracy and musical character.

Mastering became an increasingly important part of my work, alongside music production, sound design and the development of audio equipment.